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Marvel G400 TV vs. ATI All-In-Wonder 128 AGP (16 mb)

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  • Marvel G400 TV vs. ATI All-In-Wonder 128 AGP (16 mb)

    Hi all! Major newbie here...but a gearhead nonetheless, so I should be fairly intelligent about all this in a few weeks time after I've researched it to death!

    2 questions:

    1. I have just entered the desktop video realm and purchased an ATI All-In-Wonder 128 AGP (16 Mb) last December. Yes I know this is a forum for Matrox, and I have a Marvel G400 TV on its way (question on that down below)...but here is my dilemma:

    I have finally gotten around to wanting to pipe my masterpiece video creations out to VCR and, lo, I come to find out that the ATI card is not designed to do the following:

    You should be able to simply have a video window open in the middle of your screen, for example, and ONLY the video in that window (Media Player, or maybe the ATI video apps) gets piped out the S-Video port to my VCR. Audio gets handled via my SB Live Platinum. No problems there.

    What I found out instead, is that the ATI card simply pipes your ENTIRE desktop out the video OUT ports and therefore, if you want to capture your video with your VCR, you must have captured it into the computer at least at 640x480 and then you must run the video full screen. Not only is this unacceptable (unrealistically large video files, jerky video reponse, etc.), but it STILL looks incredibly LOUSY compared to simply hooking my bloody video camera directly to the VCR. Pathetic.

    Enter the Matrox Marvel G400 TV. It should arrive within a week and I am sincerely hoping that it is the answer to my dilemma, but maybe you folks can help me understand these things.

    Will it allow me to capture at 320x240 (which seems to be the standard), manipulate the various video sequences, render to a final file and then play that file while it's being piped out the S-Video port (of the BOB, I assume) to my VCR and will it look at least as good as if my video camera was connected directly to the VCR? Maybe I still have to capture at 640x480 (or 720?? I need to read up on all the formats!), but perhaps the Marvel G400 has better compression and it won't be jerky and take up unreal amounts of HD space??

    I realize that this is a basic idiot question, but yesterday was an absolute EYE-OPENER for me to find out (3 months later) that the card I purchased (ATI) to do desktop video really doesn't allow you to realistically do desktop video and have it come out looking decent on the VCR.

    2. I eventually want to get into higher end types of editing, but I don't mind starting out simple, yet nice. I notice that the Millenium G400 (and accompanying Rainbow Runner G-series) together run about the same price as the Marvel G400, yet come with a higher end video editing software package. Am I better off going this route instead of the Marvel G400 TV? On the other hand, I should be able to purchase better software for the Marvel later on down the road (when all of the various software packages mature!!), and maybe I just need to start out with something that will work with little or no hiccups and I can worry about better software later.

    On a side note, it appears that the ATI card does its magic using software compression and the G400 series cards do it with the hardware of the card itself which explains why even 320x240 AVI files were somewhat jerky on the ATI card and, in the reviews of the Marvel, there appear to be no problems with obnoxious jerkiness.

    On another side note: I am a serious musician, and the maturing of hardware and software is the same in the music camp. By now, the SB Live Platinum is pretty much my card of choice and the software is nearly bulletproof. I sense that video is lagging behind just slightly, but hopefully it will catch up in terms of reliability and quality.

    Oh...here's my system configuration if that helps:

    PII 400
    128 Mb RAM
    8 Gig C drive (ATA 33)
    20 Gig D drive (ATA 33)
    SoundBlaster Live Platinum
    Windows 98 (but might go to Win2000 Pro)

    Thank you for ANY help or guidance you can give me in this area. It seems like you Matrox users have a nice little community and it sure seems like a better card than the ATI.

    Kevin

  • #2
    Hi Kevin

    Definitely NOT just a Matrox site, I've been trying to get away from that tag for a year now.

    G400 Marvel Vs G400 + G-RR is a long-running discussion that I don't ever see coming to an absolute conclusion. It seems that the Tuner stage of the Marvel is better than the seperates, probably due to the lower interference from it being located externally. The TV-O also appears better, we think due to a later "maven" revision level - Matrox don't recognise this, and it might just be the beholders eye

    Certainly the G-RR comes with a better software solution than the Marvel UNLESS you are happy to remain a "beginner". Avid isn't the "dog" that many people say, but it is certainly a limited product. It is great for non-techies or for simple needs, but lacks the depth that most folk here require. Bear in mind that anyone who reads/posts here frequently is NOT the run-of-the-mill enthusiast, but an altogether more demanding species.

    Lastly, don't forget the BOB question. If you change video sources frequently then it is a real pain having to crawl behind your PC to change the plugging. Having the ability to switch cabling on the desktop nakes life a lot easier on your knees.

    Cheers

    Chris

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    • #3
      Excellent! Thanks for your quick response. I had a feeling the BOB would be a nice feature. The ATI I have has a BOB of its own and it's nice to be able to switch things out from in FRONT of the computer.

      How about I phrase my unanswered question another way:

      You probably have one of the Matrox cards like the Millennium G400 or maybe G200, etc. When you go to pipe video out the video OUT port of the Rainbow Runner (in my case, I assume it would be the BOB), do you have to run your video full screen? If not, do you somehow tell the software to pipe a certain window or application out the OUT port? And when you've got it recorded on the VCR, is the quality good? I bought a reasonably top of the line VCR with scads of Inputs and Outputs (including S-video of course), and I can't get decent video with the ATI (as stated in the previous post) and I'm wondering at the quality of the Matrox line and exactly how you go about it. Details please!!!!

      Much appreciated!

      Kevin

      Comment


      • #4
        Oops

        Trust me to miss the big one.

        The answer is "yes". Possibly the Marvel edges the G-RR out here (that Maven revision I was on about). If you capture in MJPEG at full screen (704*576 PAL or 704*480 NTSC) with minimum compression (usually 6.6:1 if your HDs are reasonable), then you will be able to play back at any res you prefer, and the output automatically gets piped to the TV-O. Again, with the hardware assistance, you should be able to play back full screen without trauma.

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        • #5
          Just as an added note, kevin, the tv output on the marvel isn't like the tv out on the ATI at all. It's a separate output designed just for doing video editing and only outputs the video you're working on, not the whole desktop. The difference is like night and day.

          Comment


          • #6
            EXCELLENT!!!!! WAHOOOOOO!!!!! No more icky video output (from a card (ati) that says right on the front cover of the box: "Video Output to TV or VCR"....HAH!).

            Thanks guys! You've given me great relief today and I can't wait to get it and run it through its paces. BELIEVE ME....I will run it through its paces.

            On a total side note....as a musician, I am constantly thinking about and composing soundtracks and sound effects for various video projects. I've even done some of that at my day job (computer programmer for a National Laboratory) which is quite fun....

            Anyway...I have a feeling that most of you video-heads probably look around for music and sound effects to add to your wonderful stellar video projects. I can't rave enough about the SoundBlaster Live Platinum. As a semi-professional musician for 25 plus years, I have never run across such a great, easy to use piece of technology. Plus, once you get an understanding of how SoundFonts work, you can literally load up a bunch of Sound Effects SoundFonts into Cakewalk, attach your video file (AVI right now, but should support MPEG later), and you can literally watch the video and hit various keys for sound effects at discrete points in the video. Then you can mix all the MIDI tracks to perfection and then record a WAV file of it, convert to MP3 if you want and then get into QuickTime or other video editing tool and add your sound/soundeffect track and everything lines up perfectly. For a real quick and dirty example of this, point your web browser to:
            http://www.blessedhope.org/demos/enviros2.mov

            and watch that puppy (3.4 mb, QuickTime 4 format with embedded mp3 file) (listen with headphones!). All the sounds (including the acoustic guitar!!) were done on my SB Live Platinum in Cakewalk 8.0 Express (comes bundled) while watching the video run within Cakewalk. MUCH better than trying to attach WAV files to your movie and get them all cut right and all that. Plus, with MIDI, all the parameters of the music (tempo, transpose, track volumes, etc.) is fully adjustable, so if you need to make changes, you just get into Cakewalk again and get everything the way you want and then burn another WAV and/or convert to MP3 again. COOL!

            I plan on having background trax (without melody line) as well as instrumentals (with melody line) available for free download at:
            http://www.blessedhope.org/music

            and, although the files (in mp3) will be mostly for musicians to use, I hazard a guess that video enthusiasts could make use of some of the music there as well. Just my contribution to the world!

            I have a SoundFont site as well:
            http://soundfontcentral.blessedhope.org

            where you can download free soundfonts of every imaginable sound. In addition, for a measly $20 per CD, you can purchase SoundFont CD's from EMU and they have some really neat ones, especially the Hollywood sound effects one. I used several soundfonts from that CD for the above QuickTime movie.

            Also the SB Live Platinum comes with EVERY piece of software you need to do high quality sound.

            Cost:

            SB Live Platinum: ~$175
            500 Soundfont CD: $20
            Hollywood SFX CD: $20
            MIDI keyboard (cheap Casio from Costco): ?? but cheap!

            Anyway...sorry to go off on music like that, it's just that it's my passion and I can't believe how good the technology is to support my addiction.

            And it sounds like, from the above posts, that video has arrived too! Can't wait to play with it!

            Thanks again folks and take care!

            Kevin

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